Female Playwrights, Playwrights of the Past, Unknown playwrights

A Hallowe’en Adventure by Effie Louise Koogle

Howdy all! Happy Halloween! Welcome back to Unknown Playwrights. This Halloween (just like last Halloween) we’re bringing you a Halloween play from the era of when tricks were given more than treats.

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From 1905. Honestly, thisis probably more interesting than our play. Apparently “hold-up” is a game. And two of the boys were dressed as girls. And one kid shot the other. All here.
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Also 1905. In Salt Lake City.

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1906. Dude literally scared someone to death.

They also had cooler postcards, too.

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OMG.

Let’s see what we’re up against today.

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Fair enough. I’ve done a lot of looking online and I can’t find a whole lot about the author. She was born in 1869 and died in 1947. She seems to have spent her whole life in Ohio. She had six brothers and sisters. The most interesting thing to me is that amongst 5 girls in the family only one seems to have married. And among all the sibllings, it seems only one or two married. I wish I knew what that was about. Even the Brontë sisters got married. More on Koogle later. Let’s meet our cast.

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Tarrytown…yes, that Tarrytown. Let’s check out the scenes:

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Poor Nell has been stuck in her room for a week. She’s been grounded – apparently seminaries  could ground their female students back in 1906. She was grounded for a “prank” and she’s got three days left on her sentence. Her friends Verda, Bess, Gloria, Gail, Freida & Gwendolin show up. Nell has been “ill” with a headache. She tells them not to worry…

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Don’t worry or them wrinkles will get you! Also, it’s wrong to be hypocritical and hypercritical.

The girls decide they should do something spooky for Halloween, but Bess sees a problem.

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She has a point. I love that the boys they’re after are seminary boys.

Nell suggests they go to…Sleepy Hollow.

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Bess reminds us of who lives in Sleepy Hollow.

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This dude lives there.

And boys…

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These guys seem cool.

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Take note: Fictional male characters in 1906 Halloween plays want a woman as handsome as she is venturesome.

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Miss Noesome’s seminary gals are the finest! And Glo Gould is a whole sugarplum!

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Pictured: Glo among her cohorts.

In what appears to be the prelude to a hazing ritual, the “ghosts” show up to obey their ghost master.

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Moans, groans and hisses…

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More hazing. Nell is then asked her name.

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I like how the description of the ghost sounds devolve to “Moans, etc. (Emphatic)”

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Time to tie up the girls (and Tom)! The boys/ghosts take them to the cave.

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Did she say beautiful cave? I know the most beautiful cave in the world.

And hot damn! Napoleon shows up and so does Rip Van Winkle.

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This dork…
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…meets this dork. Sadly, they don’t have a baby.

And amongst the ghosts of fictional and real-life people, a goddamned German doctor shows up. Because. Because? Oh, he wants their blood!

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“Vat iss dies sch*t? Vat die aktuelle fock?”

And Major André shows up.

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Sometimes dying for your country looks like this.

 

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“Young folks laugh” = play was written by an old person. And that other inhabitant of Sleepy Hollow pops up.

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Pictured: Sleepy Hollow’s most ballinist player: Ichabod Crane.

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Hells yeah!!!!

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Among the ghosts, the Headless Horseman is a loser. Hehe.

And for some reason a Native American female shows up. Maybe she’s a ghost because of all the Native Americans white Americans killed.

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And I know “squaw” is an offensive term that isn’t even found in any Native American language. But it’s found in this sad little play.

Eventually, the girls get scared and go back to their seminary.

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I was right about the hazing, which has killed a ton of people over the years.

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“IT WAS WORTH WHILE TO CLASH WITS WITH GIRLS OF THEIR CALIBER!”

This has several tropes in common with last year’s Halloween play.

  1. Boys dressing up like ghosts to scare girls. No gun in this one and no cross-dressing.
  2. Girls going to a “haunted” place wanting to be scared.
  3. No actual supernatural stuff.

Apparently, this was really performed at one time. The Koreshan Unity utopian community in Estero, Florida had a copy of this play in its papers.

I want to thank the folks at the state archives of Florida for scanning this play for me. So very, very kind of them.

Ms. Koogle was rather prolific in the early 1900s. Her output includes plays and sheet music.

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Pray Observe, We Must Conserve. 

1902: Ethics for Young People

1904: Twas Thee! Twas Thou! And This I Avow!

1906: The heir of Mt. Vernon

1906: Cupid’s Joke

1906: A Colonial Minuet

1906: Just After Christmas

1907: Up-to-date America: Or the Sweet Girl Graduate’s Dream

1908: Kris Kringle Jingles

1909: The Christmas Collation

1909: The Thanksgiving Songster

1912: The Buzzville News

1918: A bunch of rah-rah America stuff for WWI. And here.

1940: Ready for Kisses

Not sure the year on this, but Effie Louise Koogle just became very interesting:

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Uhhh.

If anyone has any information about Ms. Koogle, please let me know.

Thanks for reading and please check out last years’s Halloween play

And here’s a song about The Headless Horseman, by the Monotones (famous for their Book of Love)

 

 

 

 

Female Playwrights, Playwrights of the Past, Unknown playwrights

A Halloween play: Edyth M. Wormwood

Ah yes. Time for that grand old holiday full of ghosts, goblins, witches and Halloween plays.

There exists a microscopic subgenre of Halloween-themed plays. Even more microscopic since we’re limiting ourselves to public domain work.

Halloween was celebrated a bit differently 100+ years ago. There seemed to be much more emphasis on the “trick” part as this headline attests:

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1915: Police Chief Grant sounds like a barrel of laughs. Via here.

Even Canadians could not restrain themselves:

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1902: Via here.

And this tragedy:

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1900: Via here.

Slightly less sociopathic activities included various methods on how to divine one’s true love, as this postcard attests:

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When humans obeyed their pumpkin king. Via here.

The reason this applies to Halloween plays is that “romance” on Halloween was a bigger deal then and the plays mention it.

Oh, Halloween postcards were totally a thing.

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The most disturbing thing you’ll see this Halloween (besides that drunk dude in the Trump mask). Via here.

The first plays I took a look at were by Elizabeth F. Guptill, who wrote a bunch of books for children, including many plays. She also wrote hymns and in 1915 published the The Big Book of Hallowe’en. Several plays are included. However the book should be called The Big Racist Book of Hallowe’en:

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Yeah, F that book right into the sun.

Fortunately there were Hallowe’en plays from the same era that weren’t drenched in the vile acid of racism.

Our play is The Haunted Gate by Edyth M. Wormwood, a one-act.

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Says it right on the cover.

Edyth M.’s maiden name was Guptill and she wrote plays for kids and came from the same state as the other Guptill. This makes me suspect she’s Elizabeth’s daughter/niece/kin. Perhaps racism skips a generation? Hopefully.

The plot (using the term loosely) has high schoolers Marion, Grace, Irene, Marie and Ruth huddled around making Halloween plans. They write all their ideas on pieces of paper and…

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Enter the “Booger Man’s Hole” at your peril, kids.

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A jardiniere, the real hero. Right here.

I do enjoy this example of the horror trope of dumb teenagers going where other people are smart enough to not go. Irene explains why:

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This play does not mess around! How many other high school plays start off with a double-murder and suicide? Tragical indeed!

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Yeah, Marie – only speak when spoken to, impudent child! Nice of the ghosts to re-enact a murder suicide once a year.

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Ruth and Marion lack critical thinking skills, probably because they’ve been running with unladylike and ungovernable young ladies.

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Angeline at the ripe old age of 35 (or 50) is the intelligent one here. But I do love Grace’s logic involving ghost pistols.

Ralph, Irene’s brother, had been kicked out earlier by the girls, but creeper extraordinaire, he’s been watching and delivers a maniacal monologue after they leave:

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Yes, Ralph, you weird bastard, “’twill be more fun than a barrel of monkeys.” And he’s making Halloween “spicier.” Ugh.

Ralph and his brother decide that they’ll re-enact the murder to scare the ladies, because these were before the days of internet trolls.

But didn’t the murder include a woman? Well, duh – they figured that one out:

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Poor Don Herrick is gonna get peer-pressured into cross-dressing just to scare some girls. Philip and Ralph could, ya know, find an actual girl. On second thought, probably not. I think we’re looking at the founders of the incel community.

While the proto-incels are planning to punish innocent women, the women are punishing themselves by trying to divine future husbands.

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They’re doing exactly this. From Ebay!

The women prepare to go to the Booger Man’s Hole:

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THIS PLAY DOES NOT MESS AROUND!!!

You bring that gun, Aunt Matilda! She’ll be killing a few incels anyways.

Meanwhile, the boys are at the Booger Man’s Hole and are learning the nuances of spooning.

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“I saw them spooning at the Booger Man’s Hole” should be a better example.

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I know you’re amazed the play has four scenes, too.

“I know I can’t talk like a girl.”

Please, you haven’t even tried.

“When did you get in your practice, and who was your partner?” #guytalk

“Oh, dry up.”

The ladies arrive and find the “ghosts” making out/spooning/engaging in foreplay…and…and…

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Let’s dissect what’s going on here.

  1. Voyeurism. The women stop to watch two ghosts make out, one of whom is a boy dressed like a girl. This fascinates them.
  2. Ralph has brought his own pistol and pretend-shoots the “lovers.” Talk about spoonus interruptus.
  3. Aunt Matilda is totally not scared but totally runs away.
  4. Ruth grabs her aunt’s pistol.
  5. The “wounded” lovers groan.
  6. Ralph pretends to kill himself.

So gunslinger Ruth decides to approach the “dead” ghosts with her pistol and you can see what happens…

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The play ends in a mixed message. Marie (the smartest character) gets a blackmail gift of Huyler’s chocolate and then everyone decides to cover for the boys’ stupidity. Boys acting dumb and not being held accountable? My how things have changed. Hehe.

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Huyler’s ad from 1910. No wonder Marie wanted Huyler’s. She’s really, really enjoying that hug with Santa. I like how the reindeer are all embarassed and pretending not to look. Via here.

You can read this jolly Halloween play in its entirety here.

Other works by Wormwood are here. She even has a couple books on Amazon.

Wishing everyone a happy and safe Halloween – even found a good song for you!

It is a creepy/campy cover of The Zombies’ Time of the Season. For those of you not familiar with the original, it’s right here:

 

And now the Batlord version. When I grow up, I wanna be like Batlord.

 

Join us on Monologue Monday where once again, we’ll have competing monologues!

For a list of all of our playwrights, please check here.