Current Playwrights, Dude Playwrights, Female Playwrights, Playwrights of the Past

Feline Theatre (Florence Bell, Irene Woodbridge Clark, Frances Sankstone Mintz, Alan Rejón)

This post was prompted by a conversation with our friends over at Strange Company.

UPDATE/NEWS/EXCITING STUFF: This blog was recently featured in The Dramatist magazine (sorry, online edition only available to Dramatists Guild members – if I were in charge, I’d change this)

Beyond the musical Cats and beyond that Tennessee Williams play, — and beyond The Cat and the Canary lies a feline theatre ripe for exploration.

The Cat and the Fiddle

Our first example of said theatre is The Cat and the Fiddle – straight out of…..Screen Shot 2019-04-29 at 10.43.34 AM

The book starts with some magnificent advice for adults regarding children’s plays, which is the following:

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If only the foul Mrs. Holbrook who directed our 3rd grade version of Stone Soup had such wisdom.

For those who don’t know, Hey Diddle Diddle/The Cat and the Fiddle is a well-known nursery rhyme in the English-speaking world. It goes like this:

 

It might date back as far as the 16th Century but the version most resembling what we know now was published in 1765.

This is a dramatization of that rhyme, published in 1922 when the author was 72 years of age.

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From the start: CONFLICT!

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Let’s explore that in detail…

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I don’t blame the dog, given the nightmare fuel in this movie clip of a cat playing a fiddle:

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Well, dog – that’s some skill you got there…

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Emojipedia time!!!

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Supposedly “over the moon” comes from the nursery rhyme – or not. Makes more sense if the moon is near the ground.

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Lady Bell was kind enough to add sheet music:

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I can’t read sheet music, but I heard if the notes go up, the voice goes up.

The cat gets all mad:

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“Impertinence” – such a cat word.

“day week” <<< is this a typo? Does anyone know???

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“You’re so vain”…of course you’ll get Carly Simon’s famous song, but in Canadian French and produced by the dude who married Celine Dion.

So the dog and cat make a bet. If cat loses, cat must leave…

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Oh snap!!! Bye bye kitty cat…

The author, Lady Florence Bell, had a somewhat interesting life. She was born to an well-known Irish physician in Paris. She married another well-known chap. Through this marriage she was stepmother to Gertrude Bell, who became an archaelogist and apparently a founder of modern Jordan and Iraq (?!) – seriously, look it up.

Wikipedia claims she was “one of the few representatives of His Majesty’s Government remembered by the Arabs with anything resembling affection”

Anyhow, her stepmom Florence (our playwright) wrote a bunch of plays and books and you can read some of them here.  The Cat and the Fiddle is right here.

Before we move on to the next “cat fancy” play, we must leave you with two videos…

Here is someone rapping Hey Diddle, Diddle…I bet little kids love him.

I wish my uncle were that cool. The video and rapper right there is one of the awesomest discoveries made while researching this blog.

Now, on to the next play – The Egyptian Cat

The Egyptian Cat

I think most the world knows Ancient Egyptians worshipped cats.

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Revered cats, turned into fertilizer by the usual suspects.

Thus the setting for this 1916 opus is a land full of reverence for cats.

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42 bucks!!! [This is pretty much more than my plays ever made] 

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Pictured: If American theatre were an emoticon.

The play opens with some serious instructions for a a giant artificial cat to be built:

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“Spit fiercely.”

And it even comes with DIAGRAMS!!!!

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A LOBSTER!!!!!!

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The stuff dreams nightmares Satan’s nightmares are made of. 

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“not too frequent”

Oh, and this is a shadow play. I don’t think wayang puppetry has anything to worry about.

This is a love story about a maiden with three suitors, of whom she loves one.

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Like all cats, even special ones require cream…

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Typical cat….

The Maiden asks the cat to help her get the one guy she loves…they need to escape. The cat has demands.

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“GIVE ME THAT SPIDER”

The maiden does the cat’s bidding.

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She explains what she needs.

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The cat takes care of business…

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Tough kitty – bye bye not-in-love suitors….

By the way, the word “vain” pops up here again. I know this is a different meaning of vain, but we get to hear a DIFFERENT version of Carly Simon’s song.

This English version comes from Surabaya-born Indonesian singer Ervinna ….

And like many stories, there is a happy ending.

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That’s one content cat. Except they stroke her the wrong way…

The only thing I could find about the author is that she apparently lived in North Carolina, USA.

The Wolf and the Cat

This pièce de résistance appears in the 1915 tome Story-Hour Plays by Frances Sankstone Mintz.

It is taken from a fable collected by Ivan Krylov. The play is really, really short. Like short  enough for the whole play to be included right here.

But you should totally check Krylov out because according to the Wiki Gods :

“A multitude of half-legendary stories were told about his laziness, his gluttony and the squalor in which he lived,”

In this play, a big bad wolf meets Vaska, the cat.

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Did y’all get that moral? Don’t be mean to people because they won’t help you later. Burning bridges.

The Hen and the Cat

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An illustration is worth 1,000 words.

This fun piece of theatre is supposedly based on an African fable, but I have yet to find it.

This first scene is awesomely short:

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Talk about exposition.

And so it goes. The cat, being a passive-aggressive weirdo, sends its child to the Hen.

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And the Hen sends her kid to talk to the cat.

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The cat is more “controlling stalker” than friend.

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They finally get going and the plot takes a twist as aberrant as the cat’s mind:

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The cat seizes her kids???? Really???

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Yes, you just read the real-life true story of why cats and hens aren’t friends.

In real-life, I’ve seen chickens puff themselves up to scare cats. I should write a play about it.

The play ends with a question for the kiddos:

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Good question. And I have found the answer. It must’ve been a VERY slow news day in Toronto. Probably ran out of poutine-interest stories.

The author, Frances Sankstone Mintz, appears to have been a night school/immigrant English class teacher in the American state of New Jersey.

All her other books are about turning foreigners into good Americans.

Have a gander.

Here is the book of plays she wrote, containing The Wolf and the Cat and The Hen and the Cat. Time for a sequel: The Wolf and the Cat and the Hen and the Mercedes Benz. Any takers?

And now for a real treat, there is an author out there who is continuing the tradition of cat plays and I don’t mean plays that have the cat’s head explode and get nominated for a Tony.

El Gato y el Ratón/The Cat and the Mouse

Alan Rejón has written some very interesting short plays, all in Spanish and they are on a website with plays written by others.

The plays are short enough to include here. This one has a very unique twist.

I’ve included the original Spanish, followed by a translation. And look for the twist!

Historia: Un pequeño ratón se da cuenta que está a punto de ser cazado por un gato, intentando salvarse nuestro pequeño amigo comienza una pequeña charla.

(El ratón está de espaldas cuando de repente el gato comienza a correr hacia él.)

Ratón: ¡Espera!, ¡Espera!

Gato: ¿Qué quieres?

Ratón: ¿Por qué haces esto?

Gato: ¿Qué cosa?

Ratón: Cazarme.

Gato: Pues, porque tengo hambre.

Ratón: Bueno, ¿Te gusta mi sabor y la textura de mi piel?

Gato: Humm, de hecho no, odio cuando la cola pasa por mi garganta y todavía después de unas semanas sigo escupiendo bolas de pelo blancas.

Ratón: Entonces ¿Por qué cazas ratones? No tiene sentido.

Gato: Tal vez, pero en la iglesia de Doraemon el gato que vino del futuro, nos enseñaron que para estar cerca de él debemos comer ratones pues ustedes no lo aceptan a él como el único viajero del tiempo y salvador de la comunidad gatuna.

Ratón: No puedo creer que esa sea la razón.

Gato: Hagamos un trato, te dejare libre si aceptas a Doraemon como único viajero del tiempo y salvador de la comunidad gatuna.

Ratón: Claro que no lo aceptaré, para empezar por que no existe y segundo, si lo hiciera, entonces no me convendría creer en él ya que solo quiere salvar a los felinos.

Gato: No te atrevas a decir que no existe, rata blasfema, porque está en todos lados y puede desatar su furia, además en mi iglesia tenemos una comunidad de ratones creyentes a los cuales dejamos en paz.

Ratón: Doraemon sólo era la caricatura de un gato azul, ¿Cuántos gatos azules conoces?

Gato: Yo creo que para demostrar su divinidad Doraemon eligió el color azul para que ninguna raza sea discriminada y la televisión fue la manera de extender su mensaje en nosotros.

Ratón: Bueno, explícame esto, Doraemon era un robot, ¿Por qué tendría que comer ratones si ni estomago tiene? Yo creo que tu iglesia ha inventado todo sólo para poder controlarlos.

Gato: Pues, pues… (El Gato se come al ratón) Tanta plática me abrió el apetito.

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Doraemon, a hint of terror to come.

Setting: A small mouse realizes that he is about to be hunted by a cat, trying to save himself,  our little friend begins some small talk.

(The mouse is on its back when suddenly the cat starts running towards him.)

Mouse: Wait! Wait!

Cat: What do you want?

Mouse: Why are you doing this?

Cat: Doing what?

Mouse: Hunting me.

Cat: Well, because I’m hungry.

Mouse: Well, do you like my taste and the texture of my skin?

Cat: Humm, in fact no, I hate when the tail goes through my throat and even after a few weeks I keep spitting white balls of hair.

Mouse: So why are you hunting mice? It makes no sense.

Cat: Maybe, but in the church of Doraemon the cat that came from the future, we were taught that to be close to him we must eat mice because you do not accept him as the only time traveler and savior of the cat community.

Mouse: I can not believe that’s the reason.

Cat: Let’s make a deal, I’ll let you go if you accept Doraemon as the only time traveler and savior of the feline community.

Mouse: Of course I won’t accept it. To begin with because it doesn’t exist and secondly, if I did, then it would not make sense for me to believe in it since it only wants to save the felines.

Gato: Don’t you dare to say that it doesn’t exist, blasphemous rat, because it is everywhere and can unleash its fury, in addition in my church we have a community of believing mice whom we leave in peace.

Mouse: Doraemon was just the caricature of a blue cat, how many blue cats do you know?

Cat: I think that to demonstrate his divinity Doraemon chose the color blue so that no race is discriminated against and television was the way to spread his message in us.

Mouse: Well, explain this to me, Doraemon was a robot, why would he have to eat mice if he doesn’t even have a stomach? I believe that your church has invented everything just to control them.

Cat: Well, well … (The cat eats the mouse) So much talk opened my appetite.

Say what??? A play that began as a typical Tom & Jerry thing escalates into an anti-organized religion polemnic featuring its own Molloch anime character demanding dead mice.

Fortunately for us, there are several Youtube videos of this play, including one college production from UPN Morelos. And one we should term “paper bag theatre” –

Escenografía: Un callejón, con algunos botes de basura.

Personajes:
Perro Dóberman (Voz fuerte y babeando)
Perro Akita (Orgulloso y callado)
Perro Chihuahua (Trembling, talks in a singsong manner)
Perro Vagabundo (Perro/gato)
Introducción: Un día como cualquier otro 3 perros amigos paseaban por el callejón buscando algo para comer, mientras se acercaban a los botes de basura vieron a lo lejos a otro de sus amigos, un perro algo raro (flaco y con poco cabello, el perro vagabundo) al que llevaban meses sin ver… Bueno, excepto por el Chihuahua quien tendría un chimes que contarles.
Chihuahua: Oigan, oigan, adivinen qué me contaron del vagabundo.
Dóberman: No sé, dinos.
Chihuhua: ¡El pobre enloqueció y se cree un gato!
Akita: ¿Estás seguro? Yo creo que sólo son habladurías de la gente.
Chihuahua: Pues seguro, seguro, no pero…
Dóberman: (interrumpiendo) Pues vamos a ver, llamémosle.
Akita: Si es cierto no hay que burlarse de él, hay que ayudarle.
Chihuahua: Claro, claro.
Dóberman: ¡Hey vagabundo, ven!
(Vagabundo los mira y corre hacia ellos.)
Vagabundo: ¡Amigos, tiempo sin verlos!
Akita: Sí, mucho tiempo, para ser sinceros te hablamos para saber si es cierto algo que han estado diciendo de ti.
Vagabundo: ¿Qué cosa?
Akita: Pues…
Dóberman: (interrumpiendo) Que te crees un gato…
Vagabundo: Jajaja, claro que no me creo un gato…
Akita: Eso creí…
Vagabundo: ¡Soy un gato! Miren como hago Miau.
Chihuahua: No lo puedo creer.
Dóberman: Claro que no eres un gato.
Vagabundo: Sí lo soy mira como digo Miau.
Akita: Amigo no eres un gato y te lo podemos demostrar.
Vagabundo: ¿Cómo?
Akita: Bueno, para empezar si fueras un gato nosotros te perseguiríamos y no lo hacemos.
Vagabundo: Eso es porque soy un gato rudo, mira como hago Miau (con voz ruda)
Chihuahua: Eso no demuestra nada, si fueras un gato te gustaría el pescado y no te gusta.
Vagabundo: Bueno, lo que pasa es que soy un gato vegetariano, mira como hago Miau (con voz elegante y chupándose los dedos)
Dóberman: No, no, no, si fueras un gato podrías trepar a los árboles y estoy seguro que no puedes.
Vagabundo: Claro que no puedo y eso es porque soy un gato pesado, sólo mira como hago Miau (voz pesada)
Akita: Si fueras un gato serias flexible y podrías lavarte a ti mismo con la lengua.
Vagabundo: Claro que puedo, miren. (Improvisa movimientos gatunos)
Chihuahua: ¡Santos caninos!
Dóberman: Esto es muy perturbador.
Akita: Ok, ok eres un gato pero deja de hacer eso.
Vagabundo: ¿Ven? Soy un gato y digo Miau.
Dóberman: ¿Cómo aprendiste a hacer eso?
Vagabundo: Yoga.

Setting: An alley, with some garbage cans.

Characters:
Doberman (loud voice and drooling)
Akita dog (Proud and silent)
Chihuahua dog (Tembloroso, cantadito speaks)
Vagabond Dog (Dog / cat)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Pics from here, here and here.

Introduction: A day like any other 3 friendly dogs walk through the alley looking for something to eat, as they approach the trash cans saw in the distance another of their friends, a somewhat weird dog (skinny and with little hair, the vagabond) who has not seen them for months … Well, except for the Chihuahua who is telling them.

Chihuahua: Hey, listen, guess what they told me about the tramp.
Doberman: I don’t know, tell us.
Chihuhua: The poor guy went crazy and thinks he’s a cat!
Akita: Are you sure? I think they are just gossiping about people.
Chihuahua: Sure, sure, no, but …
Doberman: (interrupting) Well let’s see, let’s call him.
Akita: If it’s true, don’t make fun of him, you have to help him.
Chihuahua: Sure, sure.
Doberman: Hey vagabond, come!

(Vagabond looks at them and runs towards them.)

Vagabond: Friends, long time, no see!
Akita: Yes, a long time, to be honest we’re talking to you to know if what they have been saying about you is true.
Vagabond: What did they say?
Akita: Well …
Doberman: (interrupting) That you think you’re a cat …
Vagabond: Hahaha, of course I don’t think I’m a cat …
Akita: I thought so …
Vagabond: I am a cat! Look how I meow.
Chihuahua: I can’t believe it.
Doberman: Of course you’re not a cat.
Vagabond: Yes I am, look like I say “meow”.
Akita: Friend, you’re not a cat and we can prove it to you.
Vagabond: How?
Akita: Well, to begin with if you were a cat we would chase you and we do not.
Vagabond: That’s because I’m a rough cat, look at me meow (with a rough voice)
Chihuahua: That doesn’t prove anything, if you were a cat you would like fish and you don’t.
Vagabond: Well, what happens is that I am a vegetarian cat, look at me meow (with an elegant voice and sucking fingers)
Doberman: No, no, no, if you were a cat you could climb trees and I’m sure you can not.
Vagabond: Of course I can’t and that’s because I’m a heavy cat, watch me meow (heavy voice)
Akita: If you were a cat you would be flexible and you could wash yourself with your tongue.
Vagabond: Of course I can, look. (Improvises cat movements)
Chihuahua: Holy dogs!
Doberman: This is very disturbing.
Akita: Ok, ok you’re a cat but stop doing that.
Vagabond: See? I am a cat and I say “meow.”
Doberman: How did you learn to do that?
Vagabond: Yoga.

Another twisted tail tale. So here we have another reference to the fact dogs can’t climb trees.

And fortunately for us, we have some Youtube videos of this play in action:

That last one comes with bloopers!!!

 

I don’t know much about the author. I’m assuming he’s Mexican because all the productions appear to be Mexican.

The plays are available on the website and they have a Youtube page with some videos.

And along with the Spanish theme + cats, here is a Spanish-language cover of The Cure’s The Love Cats, which against all odds and Mother Nature, manages to be weirder than the original….

 

And as a final, final special treat, here’s Catwoman herself (and Yzma) – Eartha Kitt – singing about being a different kind of cat….I dunno…she still jumps on furniture.

 

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I’d eat mice for her any day, but not for that false god Doraemon.
Monologue Monday

Monologue Monday: Grace & Dale in FOB by David Henry Hwang

Howdy all! Welcome back to our site and welcome back especially to Monologue Monday. This week takes us to legendary playwright David Henry Hwang‘s FOB. The play premiered in 1980 when Hwang was only 22. It featured John Lone and Tzi Ma, among others and was directed by Mako.

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Still from the 1980 production. So theatrical!

Here is the synopsis straight from stageagent.com:

“F.O.B. (fresh off the boat) is another of David Henry Hwang’s explorations of what it is like to be Chinese in America. Dale is second-generation Chinese and very Americanized. He introduces the notion of F.O.B. to the audience in a monologue, mocking new Chinese immigrants for their pitiful attempts at assimilation while refusing to give up their traditional ways. Grace, his cousin, is first-generation, although she has been in America for a while. She is more Chinese in that she maintains many traditional customs, unlike Dale. Their relationship is upset by the arrival of Steve, a wealthy, arrogant new immigrant. Dale and Grace both resent his arrogance but react to it differently. Dale becomes competitive with Steve, while Grace uses traditional Chinese culture to win him over. In the end, Steve and Grace leave together, and Dale is alone, still resenting the F.O.B.’s. In the middle section of the play, Hwang has the characters play out their roles through Chinese myth.”

As you can see, Hwang uses culture as conflict, pitting a Chinese American guy (Dale) born and raised in the US against Grace (part of the 1.5 generation) and Steve, someone who just showed up, fresh off the boat.

It might be worth exploring why these three should be in conflict anyways. I guess a play without conflict would be boring.

The play provides strong roles for three Asian American actors.

Hwang would go on to win some Obies, work for Disney and get stabbed in the neck by some random jerkass. The attacker was never caught. Weird, huh?

For our first monologue, Dale will explain some things.

Dale

A

 

B

 

C

 

Grace

And now it’s Grace’s turn to complain about Torrance. And talking about the wonders of bleach. Loneliness. And other stuff.

A

 

B

 

C

 

D

 

E

 

F

 

That’s it for this edition of Monologue Monday. Don’t forget to check back on Thursday for an uknown playwright and next Monday for a new monologue.

For a complete list of Monologue Mondays, please stop by here.

Ciao.

Dude Playwrights, Playwrights of the Past

J. Douglas Cook & Edwin Stoker/University of Utah plays part 2 (Edgar Allan Poe Fanfic & A Bizarro Western)

[Full disclosure: I have suffered several recent soul-crushing theatre defeats, including a playwright who nixed their 4,000 word blog profile I wrote last week as well as giving up a New York City production because the director quit. Oh, and some psycho lit my mom’s truck on fire. It’s been a stressful time, thanks.]

So it’s only fitting that I turn to the nemesis of my youth: The University of Utah. Supposedly the best school in the entire state, the state really doesn’t have that many universities…but UVU is doing a good job. You can even read my review of Shakespeare’s thoroughly dated play here. Still, the University of Utah seems to be considered number one (though not by BYU fans).

I haven’t talked about rejection in this blog, nor much about the business of writing for theatre, but I receive several rejection notices per day. These last two made me laugh. I sent them a play about a teenager who is half-potato and half-flamingo.

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Fair enough. Potangoes have a hard time being accepted, but it was followed by the discovery of another play I sent to the same theatre (a Western for seniors).

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Excuse me, I writhe when I wanna writhe…

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Whenn you google “writhe GIF”

 

Update: Last night I got rejected for an interview because apparently the theatre suffers from phone anxiety and has never heard of Skype. 

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I literally lost two NYC opportunities in two days, though actually I’ve lost nothing.

Back to the blog…

In 1928 the accurately titled book University of Utah Plays was published. The book contained the well-crafted plays of Althea Thurston, whom we recently covered. It also contained some other, lesser-crafted plays, written by J. Douglas Cook and Edwin Stoker.

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They made the paper.

I know this blog tends to feature vibrant female authors of all backgrounds – and we did feature a female University of Utah author from the same book – but every now and again old dead white males wrote awful plays that must be ridiculed. Especially in their college years.

The plays are the western The Boomer and A Man of Temperment, based around Edgar Allan Poe.

The Boomer

Not the American football player. Nor the generation that screwed up America. This “boomer” seems to refer to an itinerant worker, in this case, a wagon train guide. More on that soon.

Stage Westerns do exist. Maybe the biggest was The Squaw Man. This isn’t The Squaw Man. In fact it’s not much of anything. There is a plot.

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Later the play specifically mentions Utah as the location.

The plot basically is this: wuss-boy Hugh loves coquettish Betty, whose tastes run a bit more adventuresome. She teases tough guy/sociopath-in-dialect Black Luke – who makes advances tries to rape her. Frustrated in his rough wooing rapiness, Luke blames Hugh and challeneges him to a gunfight. You’ll have to follow this to see the ending…

Here is bachelor number one:

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And here is our unlucky bachelorette:

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Basically Hugh follows Betty around pitching woo and generally failing. Betty loudly announces she has another chaperone.

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“struck as by a thunderbolt”

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Thunderbolt or lightning bolt, it’s all the same to Pikachu.

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“petty defiance” 

That earplugging is impressive.

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Close enough.

Looks like we may be interpreting this play through GIFs, kiddos.

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Damn, Hugh. Now I’m embarrassed for EVERYONE.

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Healthy.

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Can we learn more about Betty’s “secret amusement”? It’s the most interesting part of this oater so far.

 

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Sounds like Hugh needs himself a relationship time machine. So glad Betty is smart enough to not fall for the “you would’ve married me a while ago” trick.

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Hugh….don’t tell her what to do. Seriously.

Alas, we get our first peek at Black Luke.

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“yet he is attractive”

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“But I knows what’s got under his hide.”

Lonely Luke + Bored Betty = DRAMA!!!

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Aww, Luke’s “been a-hankerin'” and Betty’s been “blocked up here like a fly in a bottle.”

What could happen next?????

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“I’ve been a-watchin’ you” Luke goes full creep.

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Millennial Luke.

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“Y’know I ain’t never done this before;” What? Use a semicolon in dialogue? Luke, please.

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Yeah. It’s not really working out.

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Is “half-menacingly” really any better than “menacingly”????

Betty freaks out and Hugh scomes to the rescue. He sends Betty away so him and Luke can have some “man talk”

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Black Luke: Self-aware villain.

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This isn’t Hugh’s day.

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Says you, Hugh.

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“Insane cry”

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This popped up as the GIF for “insane cry.”

Hugh still doesn’t want to fight/shoot/do anything so Luke gets all weird and threatens him with…the lash????

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“resentfully stiffen” Hehehe.

“red tongue of flame”

HUGH IS DEAD. 

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Don’t kick a man when he’s…oh wait. never mind.

Of course it’s Betty’s fault – as this comtemporary review points out:

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Cherchez la article here.

 

Robert Edwin Stoker was born in in Salt Lake City in 1902. His mother was born in Holladay, Utah and his father was from England. They appear to have been Latter-day Saints. He died in 1959 and has two headstones for some reason. I couldn’t find much else out about his life.

A Man of Temperment

This is actually the better play. Mostly because it involves Edgar Allan Poe, who, like so many others, was a failed playwright.

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Why can’t we use the sideburns picture of Poe more often? 1842/3.

Our play has these people hanging out, except for Poe.

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They’re waiting for Poe. Good to know we’re dealing with a “fact-based play” here. Hehe.

Cook sets up the scene….a lot.

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Everyone gets all judge-y on poor Edgar.

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That’s Mrs. Shelton defending her fiance. And as for Poe’s supposed boozing ways…

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Altree is kind of a jerk.

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But Barton is straight up Douchemeister 3000 material.

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A photo of the author from a 1918 newspaper article about teaching the foxtrot at the University of Utah.

I guess the neat thing is if you’re Edgar Allan Poe, people will actually wait for you if you’re late:

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Oh, snap! I do like that Shelton points out that Poe was a reputed drunkard – the facts are pretty mangled.

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Dude supposedly had a sensitivity to alcohol. I appreciate that the play mentions this.

White decides he knows what’s making Poe late.

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Tell you what…theatres paying playwrights sometimes pretend it’s an act of charity.

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Southern “gentlemen” and their reputations.

I love that here, everyone who was dissing him suddenly wants to be his friend. Don’t fall for it, Ed!

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The author around 1918. He wrote home about his war experiences.

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Oh no!!! He’s shown up plastered. And prays?

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So he’s not drunk after praying? Was it all an act? Or was there divine intervention?

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Oh, he’s getting published! Well hot damn! He’s got a career!

I’m actually unsure if this is a drama or comedy. Dramedy?

J. Douglas Cook was the son of W.L. Cook who was a pioneer court reporter in Utah [dude had an original copy of the John D. Lee trial]. His father was from Ogden and his mother was from Beaver. They were Christian Scientists.

He was administrator of Tule Lake after the evacuation order. Here is a photo he took of children there. More research needs to be done on this.

As a side note for those really into theatre, here are some performing artists/showbiz folk who were imprisoned at Tule Lake:

Playwright Hiroshi Kashiwagi

Actor Pat Morita

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Yep, the US Government imprisoned Mr. Miyagi from the Karate Kid aka Arnold from Happy Days aka Pat Morita.

Animator Jimmy Murakami

Actor Yuki Shimoda

Actor Sab Shimono

Singer Hana Shimozumi

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Light opera singer Hana Shimozumi.

Actor George Takei

He is also listed as a “research attorney” at times. He did write a radio play out there that was broadcast in 1938. He had an article published in The Saturday Review in 1954 about composers. I don’t know when he died.

Hopefully, he had a lot of time to contemplate his role in the imprisonment of thousands of his fellow Americans.

Next time we’ll bring you a more interesting plays. Thanks for reading!!!!

In the near future you can look forward to Chilean, Indonesian and Pennsylvania German writers.

Meanwhile, here’s a list of all our playwrights.