Monologue Monday

Monologue Monday: Dreams in Captivity (Deafening Applause/My Father’s Blue Eyes/Barry’s monologue) by Gabriel Davis

Howdy all! Welcome back to Monologue Monday. As I type this, there’s some jerk nearby playing wank-ballads at an ungodly level. If this post is lesser than previous posts, blame the Wank-Balladeer of Jakarta.

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Available where fine plays are sold.

This monologue comes from Dreams in Captivity by Gabriel Davis. We have profiled other Davis monologues (Coffee Slave, Quiche isn’t Sexy, Almost 16 and Lacey’s Last Chance).

Let’s check out this play’s plot via StageAgent:

After being kicked out of culinary school, aspiring chef Pax returns to his hometown to regroup. There he happens upon an old friend from high school, Livi, who he learns has forgone a promising acting career to work in a retirement home. Meanwhile Livi’s sister-in-law Reina enrolls in a class about space at the local community college and, much to her husband Barry’s dismay, becomes fixated on the unlikely dream of becoming an astronaut. Pax supports Reina’s aspirations and encourages Livi to revive hers – all while pursuing his own far-fetched dream of opening a restaurant for celebrities in LA.

It certainly sounds like the world of dreams in LaLa Land.

My Father’s Blue Eyes

In this monologue, Livi is remembering when her father actually saw her.

I was fourteen.  For some reason, my guidance counselor took an interest in me.  Who knows what she saw in me – wearing Barry’s hand-me-down rugby shirts…  But she entered me in a local beauty pageant. Bought me a nice dress, and some makeup and everything.  Got me all dolled up….
(Beat)
It’s a silly story.  (Pax tells her to “go on”)
(Beat)
Well, the night of the pageant came – and she tried to get my dad there.  But of course he wouldn’t… And then…I won.  I won.  I couldn’t believe it.  And they gave me this tiara.  I remember getting home and being so proud – and there was Dad, sitting on his Lazy-Boy, watching something funny on TV, ’cause he was laughing – just really in a good mood.  Well, I just waited, patiently, until the commercial.  Then I walked up to him, tapped him on the shoulder, ever so lightly, and showed him my tiara – my crown.  
(Beat)
And this part, I’ll never forget, he actually smiled at me – he touched my face – and he said “Are you my Miss America? Are you my little Miss Universe?”  At that moment, I had his attention.  He was looking right at me.  And I remember, thinking it was really weird, because I’d never noticed how blue his eyes were before.

Let’s see what the actors on YouTube have cooked up:

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Deafening Applause

Now Livi is talking to Pax, telling him how her dream died. You can find the monologue here.

I remember how everyone got quiet, okay?  

Quiet…and still.  Like they were all connected to me.  All a part of me.  Even Dad and Barry – I looked out, even they were…seeing me.  I mean, really seeing me.  And at the end of the show, when I stepped forward to take my bow the applause was—was— It was deafening.  In a little high school auditorium.  It was deafening and — Dad and Barry were applauding with the rest of them.  They had these big smiles on their faces.  

Afterwards Dad took us out to dinner.  And I was thinking, this is it, ya know.  He’s finally seen what they all see. We sit down. The first words out of his mouth are “Sure, you were OK, but I’m not really sure you’ve got the movie star look.  Take Annette Benning – she’s real tall, isn’t she, Barry?”  “Oh yeah, Liv,” Barry says, “movie stars are real tall.”  So I’m like, “What about Marilyn Monroe? She was short.”  And Dad just looks at Barry and says “Now she thinks she’s Marilyn Monroe.”  And they just laugh and laugh. 

Dad wanted me to come work at the Techno-Hut.  He didn’t want me to leave.

You ask me if I’m truly happy having stayed?  I don’t know.  I live a good life here.

Let’s see how our brave YouTube mono-thespians did!

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Here is something really special. An Australian actress documented her journey working on this monologue. It’s pretty cool. It’s also fun seeing her adopt a fairly believeable American accent.

Barry’s Monologue/Best Lazy Boy Recliner

Lest all the women have all the monologues, Barry gets a monologue where he talks about the nature of men and the best Lazy Boy in space.

Again, via StageAgent.

You know why men are constantly fighting instead of working together to survive?

Simple. Man is mainly motivated to sit on his ass. Our greatest inventors are busy right now finding more ways for us to sit on our ass better. And when they make it, men will kill to sit on it.

​Wars will happen because every man wants the best Lazy Boy Recliner in the galaxy. AND I SELL IT.

I sell a deluxe Lazy Boy outfitted with massagers, heating pads, a cooling unit for drinks – it’s the closest experience of comfort a man can get on earth short of climbing back through his mother’s hoo-ha into the womb.

If it’s a choice between that and helping you colonize space? No contest.

Let’s see how the YouTube actors fared:

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Where are you trying to run to?

Livi calls Pax out on his nonsense. You can read the monologue here.

Where are you trying to run to, Pax? Can’t you just stop and enjoy life while you’re here—lucky to be alive and breathing? I mean, there may be no tomorrow and you may have missed today in some desperate, frenetic, striving frenzy.

I like the people at the retirement home. Their time is limited and they know it. They have a palpable sense of their limits. And they know how to enjoy the moment. There’s an old couple there, that I aspire to. They sit together, all day, hand in hand, just breathing, staring at the TV.

Yes Pax … like just two bodies…sitting there. Yes. “A sitting-down love.” They have “a sitting down love.” You think love should make you stand up, jump up…achieve your greatest heights. Sure, yes love can do that but it can also make you calm, centered, at peace, contented.

Is that really what I want for us? You call it “A life in retirement.” I don’t know, Pax. I just want us to be fulfilled. Yes, I know you want that too. So why can’t you accept things the way they are?

It’s not “giving up.” It’s … giving in. Surrendering. Being .. at peace. You say you want to “fly on the stars and never look back.” But Pax … Sometimes falling can feel like flying.

Look we … we don’t have to solve this tonight. Tonight we can just take a breath. Take a step back. We can retire … to bed. Not retire forever. Not give in forever. Just give in … for tonight. Retire … for tonight.

Come to bed. Pax … just … come to bed.

Let’s see what our YouTube acting heavyweights can do with this monologue:

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There we have it. Thanks for stopping by. I hope everyone stays safe during the Covid19.

For fun, while researching this I found a song with the exact title of My Father’s Blue Eyes. For novelty’s sake I’m posting it here.

Monologue Monday

Monologue Monday: Quiche isn’t Sexy by Gabriel Davis

Howdy all and welcome back to Monologue Monday, the part of Unknown Playwrights that focuses on…monologues!!!

This week’s monologue is a fun one entitled Quiche isn’t Sexy by Gabriel Davis. We have profiled Davis’ work before in Coffee Slave, Almost 16 and Lacey’s Last Chance. This is another quirky piece.

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I dunno. The monologue must be about another quiche. Sexy quiche courtesy of chef & playwright Lucy Wang.

The plot of the one-act (lifted from Amazon) is as follows:

“Jay, a burger addict, joins Meat Eaters Anonymous where he meets and falls for Jackie, a recovering lamb addict. At first, Jay serenades Jackie with vegetarian fare. However, it isn’t long before the two backslide into meat addiction and launch a food truck pushing the very product they had sworn off. While they try to hide the truth from their support group, news of their successful business spreads fast, placing the entire group’s anti-meat resolve in jeopardy.”

Jackie is disappointed that Jay made her a quiche.

The monologue ends up making quiche a metaphor for the pretense of romance.

The entire monologue can be found here.

Let’s see who makes quiche its unsexiest:

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Thanks for reading. As always we’ll focus on another Unknown Playwright on Thursday and a new monologue next Monday.

And since we’ve established that quiche is kinda sexy, it’s all about the beholder not sexy, you must ask yourself, do references to Salvador Dalí make you hot?

Monologue Monday

Monologue Monday: Coffee Slave by Gabriel Davis & A Girl’s Guide to Coffee by Eric Coble

This week we continue with our coffee thing. First up, we have Coffee Slave – a monologue ostensibly about coffee and barista-ing but it has a deeper philosophy and serves as an idictment against retail/service industry culture in these United States. It’s a strong role for a female.

The play has echoes of Merchant of Venice….maybe we can call it Barista of Venice.

We’ve reviewed two other Gabriel Davis plays before (here and here). The monologue for Coffee Slave can be found right here.

After these clips, we’ll profile yet another coffee-themed monologue – A Girl’s Guide to Coffee – so please keep scrollin.’

Who was the most determined barista?

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Our next monologue comes from something called The Girl’s Guide to Coffee by Eric Coble. It’s gotten great reviews.

Here is the synopsis (from the author):

All of life’s mysteries will be revealed in the Steamed Bean Coffee House, at the hands of barista extraordinaire Alex. She is the master of her mellowing parents, tensing roommates, imploding bosses, and desperate regulars. But what no one but Alex seems to get is that our jobs, our world itself – nothing is constant. And if it’s all moving at the speed of espresso steam, what is there to commit to? The trick is to just touch perfection… and move on.
Except… there is this boy… silver artist Christopher… who may, just may, be worth a “yes” instead of a “maybe”… but what would that do to the delicate ecosystem of the coffee shop?
Not to mention Alex’s quest for the holy grail of dark roast… The Perfect Latte…

The monologue has one of the best images I’ve heard in recent dialogue: A portrait drawn in coffee of Che Guevara that winks at you.

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Yeah, I Googled it and I’m glad I did.

Another interesting female role.

You can find the monologue right here. The author’s New Play Exchange page is here. I suspect more and more actors will be using this soon.

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Thanks for checking out our coffee-soaked monologues. See you later this week for an Unknown Playwright and next week for more monologues!!

For a complete list of monologues, click here.

Thanks!!!

Monologue Monday

Monologue Monday: Almost 16 by Gabriel Davis

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Ah yes, that time when you’re almost 16 and you use the “I don’t have a driver’s license or I would totally have a date for prom” excuse. Or not. Sure, it’s the DMV’s fault for my your social awkwardness and lack of self-esteem.

This monologue, focusing on a young lady about to turn 16, seems eternally popular on the Youtubes.

It was written by the prolific Gabriel Davis. We featured another monologue from him earlier, about a serial killer/dater. For more about him, check out his bio. Here is the full monologue below:

A young actress auditioning for her school requested a monologue for a 15 year old.  With that broad request, I decided to make the piece about being not quite old enough to drive.   Enjoy!

Dad, you will let me take the car myself.  I’m going to be 16 in two weeks.  Yeah, technically my learner’s permit requires you in the car with me … technically I have to wait two weeks to get my license ….

But you know I can drive, you told me I’m better than mom.  I can three point turn, parallel park, and I observe the traffic laws like a religion.  So it’s not like irresponsible to let me drive, because you know I’m awesome at it.

GOD!   This is so unfair.   I hate you!   You’re going to ruin me socially.

The coolest girls in freshman year, the one’s whose parents are all probably making huge donations at mom’s gala tonight, who live in the massive houses on the hill and won’t talk to me.  They started talking to me. Because, they needed a ride to the dance.   And I’m like, I can take you.   And they’re like, “you’re 16?” and I’m all “yeah.” And then they said, “cool.”  And I’ve been eating lunch with them everyday this week, and they’re all so excited.  

It was well thought out.  You and mom were supposed to be at her benefit gala thing tonight … you weren’t supposed to have a stupid fever and be stuck at home. If I let them down…  If I don’t get in that car right now and go pick them up and take them to the dance  … I’m dead or I might as well be.   They will make it their life’s work to ruin me.  I will be marked, mocked, and probably shunned.  My entire high school experience will become hell.  

I’m not being dramatic.  I’m being accurate, dad.  This is how things go.  

So I’m begging you … just …. Just go to sleep.   You have a fever you know.    You need your rest.  Just, go to sleep now and I’ll… I’ll still be here when you wake up in exactly 3 hours.  Right before mom gets back.

Please dad.   My life depends on it.

And please check out Monologue genie for this and more of Davis’ monologues. Now let’s see which performers need the car the most:

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Thanks for reading and feel free to check out our Unknown Playwrights and Theatre Horror Stories. Also, more monologues.

Monologue Monday

Monologue Monday: Lacey’s Last Chance by Gabriel Davis

Serial killling? Check. Serial dating? Check. Strong female monologue? Check. Serial killing + serial dating + strong female monologue = destined to be on this blog. (smiley face)

This week brings us a lovely play by Gabriel Davis, Lacey’s Last Chance.

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I bet Aphra Behn wasn’t hung up on cover art. Just a random thought. Via here.

Davis’ canon seems to contain some interesting titles: Unbearable Hotness, Quiche isn’t Sexy (says who???) and Yoga Fart.

The monologue we’re using today is generally called “Serial dater” or “Serial dating” and originates from Lacey’s Last Chance.

Here’s the Amazon synopsis:

Lacey yearns for lasting love but has the unfortunate habit of – when the going gets tough – killing her partners. Hoping to attain a more peaceful life, Lacey takes up origami and begins dating Trent who, despite learning of her crimes, adores her and believes she can change. But will his faith in her be enough to keep their love – and him – alive?

Because romantic comedies about serial killing are severely under-represented in the blogosphere, here’s Serial Dater, not Killer. This is really fun.

So happy actors are taking a chance on works like these. Who stands out as particularly serial killer-y AND serial dater-y?

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And those are some killer monologues! See you on Thursday with the Thanksgiving edition of Unknown Playwrights!

For another Gabriel Davis’ monologue Almost 16, click here. For Coffee Slave, click here.

For a complete list of monologues, click here.